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Theo Van Rysselberghe Anna Boch in her Atelier oil painting


Anna Boch in her Atelier
Painting ID::  73886
Theo Van Rysselberghe
Anna Boch in her Atelier
Anna Boch in her Atelier 1893(1893) cjr

   
   
     

Theo Van Rysselberghe The Sisters of the Painter Schlobach oil painting


The Sisters of the Painter Schlobach
Painting ID::  81237
Theo Van Rysselberghe
The Sisters of the Painter Schlobach
Date 1884(1884) Medium Oil on canvas cjr

   
   
     

Theo Van Rysselberghe Lady in White - Portrait of Mrs. Theo Van Rysselberghe oil painting


Lady in White - Portrait of Mrs. Theo Van Rysselberghe
Painting ID::  82238
Theo Van Rysselberghe
Lady in White - Portrait of Mrs. Theo Van Rysselberghe
Date 1926(1926) Medium Oil on canvas Dimensions 91.5 x 73 cm (36 x 28.7 in) cjr

   
   
     

Theo Van Rysselberghe The Sisters of the Painter Schlobach oil painting


The Sisters of the Painter Schlobach
Painting ID::  85271
Theo Van Rysselberghe
The Sisters of the Painter Schlobach
1884(1884) Medium Oil on canvas cyf

   
   
     

Theo Van Rysselberghe Sitzender Akt oil painting


Sitzender Akt
Painting ID::  86196
Theo Van Rysselberghe
Sitzender Akt
1905(1905) Medium Oil on cardboard Dimensions 37 x 26.5 cm (14.6 x 10.4 in) cyf

   
   
     

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     Theo Van Rysselberghe
     Belgian Pointillist Painter, 1862-1926 was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.

     Related Artists::.
     | Jean Delville | Karel Purkyne | Georg Friedrich Kersting |


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